he title of Kent Monkman’s painting, “The Scream,”
is appropriate to the experiences of First Nations people across Canada who continue to suffer from ethnic cleansing, the erasure of cultural identity, and ecological and economic disenfranchisement. The painting depicts the forced removal and displacement of indigenous children from their homes by the Church with the assistance of the federal government. For decades First Nations children were abducted from their homes and placed in residential schools where they were compelled to reject their culture and language and suffered horrific physical, sexual and emotional abuse. Monkman, who is of Irish and Cree ancestry, was able to capture this horror in living colour on canvas. He said of this and related works:
“Canada’s 150 years old—what does that mean for the First People? When I thought about it, I thought it includes the worst period, because it goes all the way back to the signing of the treaties, the beginning of the reserve system, this legacy of incarceration, residential schools, sickness, the removal of children in the ’60s, missing and murdered women.”
The tragic history of colonialism in Canada is, arguably, a vastly under studied and addressed atrocity. But its legacy endures to this day even under the leadership of Prime Minister Justin Trudeau who has been slow to address abysmal access to clean drinking water, crushing poverty, suicide, substance abuse and violence against Aboriginal girls and women. His government has also greenlighted ecologically destructive pipeline projects over indigenous lands. Kent Monkman’s paintings implore us to shine a light of truth on this veiled history, understanding that if we do not do this the crime of colonialism will only continue.
Kenn Orphan 2017
For more information on Kent Monkman’s paintings please visit his web page: http://www.kentmonkman.com/